ideas: manifesto, musings and such

my artist's manifesto

visual arts philosophy

free advice to students and emerging artists

Gerzabek
Artist
Gallery


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my manifesto


Background
Having worked as a professional architect, I tend to focus on the most significant aspects of the job at hand and try to assess what are the essential features of a visual experience, consequently I tend to favour abstraction and minimalism .  All unnecessary detail is eliminated and only the important and significant is captured and emphasized.

Never compete with the camera
Technical perfection in reproducing what our eyes see is a similar process to a composer trying to reproduce the natural sounds heard in Nature.  As a visual artist, I am only interested in creating images which express my subjective response to places, feelings and try to capture of ‘being there’.

Venture beyond the comfort zone
Many artists settle on a successful style and never move beyond this safe comfort zone.  All their work is much the same even when they introduce small variations to the 'blueprint' they follow.  I much prefer variety and revel in the excitement of discovering new ways, accidents and untried techniques.  I love experimenting with new approaches and accept and make the best of unintended accidents.

The seduction of abstraction
Competent abstract artists use similar principles to composers of music -- balanced compositions, harmony, contrast, tension, counterpoint, colour, tone, texture, rhythm and so on.  Our objectives are the same: create an interesting mood, arouse a feeling, stir some emotions.

Focus on the happy side of life
I love using bright, cheerful ‘Aussie’ colours and to express the thrill of being alive.  I concentrate on creating happy and cheerful images, that give a pleasant sensation to the viewer.

As an artist my goal is achieved when people tell me that my artworks speak to them, when my creations touch their hearts and also lift their spirits.

 

my philosophy


I aim to create artworks which celebrate Nature, nurture the human spirit and provide stimulation and enjoyment to our lives.  I believe that people need more than the simple necessities of food, shelter and security.

We should also satisfy our intellectual curiosity, fulfil our aspirations and nurture our spiritual and emotional wellbeing.

So we need to rise above the humdrum, the ordinary and the daily grind of survival.  This is where the arts provide a relief.  Encounter with literature, music, theatre and fine arts provides great opportunities if we want to satisfy our creative urges.  At the same time we are rewarded with lasting enjoyment and satisfaction.


free advice to emerging artists


Many student artists and beginners ask for advice on how to go about painting.  My advice does not only relate to technique but gives ideas on approach. Here are a few points concerning the correct approach:

  • Do not merely become an illustrator relying mainly on technique and perfect reproduction of surface appearances.  Why not express your creative vision by using your original thoughts, imagination and heart.

  • since very few artists can produce photographic perfection, I don’t waste my energy trying to compete with the camera.  Brilliant photographers can capture such images with a fraction of the effort.

  • Emphasise what you are naturally good at; avoid struggling with the very difficult or impossible.  Find your niche and comfort zone and enjoy being there, build your confidence, then step by step enter the more difficult areas.

  • However, it is necessary to escape your comfort zone time to time; try something completely new.  Unfamiliar challenges will set free your mind and energize your creativity.

  • Having fun by experimentation is better for your spirit than resolute chasing of perfection by hard effort.  Masterpieces are just as likely to materialize through controlled accidents and cheerful experimentation.

  • So, welcome mistakes and accidents, often they lead to unexpected revelations and unanticipated possibilities.

  • Do not dismiss art vastly which is different from yours, you can learn from other styles, approaches and methods.


art - the final touch

How to improve the look of your home with the addition of artworks
(extract from an article in Premier Sydney Homes magazine)

It could be argued that a dwelling is not a home until you add the final touches of your own.  Probably the most effective way of doing this is by including original works of art in the interior design.  Artist Ernie Gerzabek endorses this enthusiastically; he has seen many ordinary residences turned into classy, visually exciting places where contemporary paintings on the walls transformed the place like magic.

Ernie’s background as an architect adds credibility to his convictions, also an edge to his contemporary paintings.  Drawing inspiration from the unique landscapes of Australia, his mission is to create images which evoke aspects of the unspoilt wilderness areas and the countryside, wetlands, deserts and Sydney’s coastline in particular.

  Instead of depicting what the eye sees, he prefers to interpret natural phenomena in a unique, surprising and unpredictable way.  His paintings not only encapsulate the essential elements, colours and features of a particular place, but also recreate the ambience and the ‘feel’ of being there.  Often this process results in minimalist and abstracted images, but always highly original, exuberant, vibrant and distinctive.

Ernie’s creations are not only playful and decorative, but also optimistic and spiritually uplifting.  His aim is to enhance home environments by affordable original paintings, at the same time lift our spirits and relax after a hard day’s work.

See examples of Gerzabek paintings in private collection settings.


Some "Gerzabeks" at Arthouse Hotel Sydney

"Finders keepers" in Dining Room - private residence


"Take a ride on the wild side" in Sitting Room - private residence

"Chocolates forever" in Lounge Room - private residence


check out the contemporary australian paintings swicki at eurekster.com


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© E S Gerzabek 2000-2008